HD Format – It’s quite impossible to settle on a camera without knowing which format most closely fits your needs. Below, you’ll find many of the foremost popular formats.
The first HD Format is DVCPRO HD. Based on the quality definition of the DVCPRO format, the DVCPRO HD from Panasonic uses a knowledge rate of 120 MBps and intraframe compression, both of which can provide strong protection from generational loss.
The DVCPRO HD also has supporting cameras and decks that use FireWire I/O, which may be a vital feature for keeping an eye fixed on your bottom line. The cost of the equipment may be a bit pricey, as it can cost upwards of 80,000$.
HDCAM (HD Format)
The second HD Format is HDCAM. The HDCAM format from Sony is predicated on DigiBeta and can record in 24p, 25p, 50i, and even 60i. It uses a high rate of 140MBps, which produces a great looking picture with few glitches. Because of the very unusual 17:6:6 color sampling scheme, the color detail is half DVCPRO HD. The picture is top of the road, proving to be among the best available on the market.
The next HD Format is HDV. There is quite a little bit of buzz surrounding HDV as the newcomer to the high definition marketplace. With high compression rates, HDV has enabled high-quality shooting and editing with low-cost tools, including the convenience of high definition video to Mini DV tape. This has also helped to open up the HD field to a good
variety of videographers and producers who would never have even considered going high definition otherwise.
The biggest drawback to going the HDV route is also the best strength – high compression. Both audio and video can suffer dramatically from an excessive amount of compression. The audio in theory isn’t up to CD quality, although some users report that they’re perfectly proud of it.