The small and adaptable DACs carry forward the tradition of one of the company’s most recognizable items.
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Audiolab
is renowned for producing top-notch Hi-Fi equipment at surprisingly reasonable prices. Among its standout items is the M-DAC, introduced in 2011, which serves as an excellent Digital-to-Analog Converter (DAC) and headphone amp suitable for both desktops and home audio systems. Then, in 2016, they launched an enhanced model called the M-DAC Plus, offering more advanced features and capabilities.
In today’s world, the renowned British hi-fi company has unveiled two new successors to their prestigious DAC; these models are called the D7 and the more substantial D9.
Meet Audiolab’s new DACs
Audiolab D7
The
Audiolab D7
It is a tabletop digital-to-analog converter, headphone amp, and preamp with a compact design akin to the M-DAC. The company claims it establishes “a new benchmark among entry-level DACs, showing that cost-effectiveness does not equate to reduced quality.”
The D7 incorporates the same 2-channel 32-bit Sabre DAC (ES9038Q2M) chipset utilized in the firm’s newly launched stereo amplifier, the
6000Mk II ($970)
It includes various wired connection options along with integrated Bluetooth functionality.
When linked through USB, it handles PCM files (up to 32-bit/768kHz) as well as DSD512. With optical or coaxial connections, it supports PCM files up to 24-bit/192kHz. The device also streams audio via Bluetooth aptX HD at resolutions of up to 24-bit/48 kHz.
There’s a high-power headphone amplifier with a 6.4mm jack, and, according to Audiolab, it is designed to drive a wide range of headphones.
Audiolab D9
The
Audiolab D9
is essentially a bigger, upgraded version of the D7. It can function as a DAC, headphone amplifier, or standalone preamplifier, and features all the same wired and wireless connections.
The main differences are that the D9 features a higher-end, 8-channel 32-bit Sabre DAC (ES9038PRO) chip, more advanced circuitry and an ultra-low-noise toroidal transformer. It also supports higher-resolution streaming thanks to support for Sony’s LDAC.
The D7 and D9 models both feature an aluminum frame and responsive control dials crafted to complement and work seamlessly with AudioLab’s 7000 and 6000 series equipment.
The D9 includes a 2.8-inch full-color screen—unlike the D7’s more petite monochrome display—which is akin to those found in its 7000 lineup.
Price and availability
The Audioengine D7 and D9 are available in silver or black color options, with shipments anticipated to begin this month.
The costs will be approximately $600 and $1,450, respectively.
Audiolab D7
